Jan van Hemessen
(c. 1500 - c. 1566) was a Flemish Northern Renaissance painter. He was born in Hemiksem, then called Hemessen or Heymissen. Following studies in Italy, in 1524 he settled in Antwerp. A mannerist, his images focused on human failings such as greed and vanity. Like his daughter, Catarina van Hemessen,he specialised in painted portraits. Jan Sanders van Hemessen was a Flemish Northern Renaissance painter who was part of the mannerist movement. He was born in Hemessen in the Netherlands but settled in Antwerp in 1524 after studying in Italy. Hemessen specialized in scenes of human character flaws such as vanity and greed. His pictures are often religious, while his style helped found the Flemish traditions of genre painting. Hemessen was also a portrait painter, which influenced his daughter to become a Flemish Northern Renaissance painter as well. The Surgeon of 1555 is an oil painting by Jan Sanders Van Hemessen currently in the Museo del Prado in Madrid, Spain. The scene likely represents a stonecutter at a fair. The surgeon, who is clearly happy that his operations have been successful, painstakingly moves his knife towards the stone, which is already visible. Behind him hang stones which have been successfully cut out of the head of other patients as a sign of his skill. Next to the quack stands a man who is wringing his hands in desperation, clearly going to be the next patient under the scalpel.

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Jan van Hemessen Woman Weighing Gold, also called Woman Holding a Balance oil painting


Woman Weighing Gold, also called Woman Holding a Balance
Oil on oak-wood 44 X 31 cm (17.3 X 12.2 in) cjr
Painting ID::  75222
Jan van Hemessen
Woman Weighing Gold, also called Woman Holding a Balance
Oil on oak-wood 44 X 31 cm (17.3 X 12.2 in) cjr
   
   
     

Jan van Hemessen Woman Weighing Gold oil painting


Woman Weighing Gold
Oil on oak-wood Dimensions 44 ?? 31 cm (17.3 ?? 12.2 in) cyf
Painting ID::  77047
Jan van Hemessen
Woman Weighing Gold
Oil on oak-wood Dimensions 44 ?? 31 cm (17.3 ?? 12.2 in) cyf
   
   
     

Jan van Hemessen Christ Carrying the Cross oil painting


Christ Carrying the Cross
Date 1553(1553) Medium Oil on wood Dimensions Height: 111 cm (43.7 in). Width: 97.5 cm (38.4 in). cjr
Painting ID::  83092
Jan van Hemessen
Christ Carrying the Cross
Date 1553(1553) Medium Oil on wood Dimensions Height: 111 cm (43.7 in). Width: 97.5 cm (38.4 in). cjr
   
   
     

Jan van Hemessen Virgin and Child oil painting


Virgin and Child
Date first half of 16th century Medium Oil on oak panel Dimensions Height: 150 cm (59.1 in). Width: 116.5 cm (45.9 in). cjr
Painting ID::  83814
Jan van Hemessen
Virgin and Child
Date first half of 16th century Medium Oil on oak panel Dimensions Height: 150 cm (59.1 in). Width: 116.5 cm (45.9 in). cjr
   
   
     

Jan van Hemessen Christ Mocked oil painting


Christ Mocked
Date ca. 1560(1560) Medium Oil on wood cjr
Painting ID::  83960
Jan van Hemessen
Christ Mocked
Date ca. 1560(1560) Medium Oil on wood cjr
   
   
     

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     Jan van Hemessen
     (c. 1500 - c. 1566) was a Flemish Northern Renaissance painter. He was born in Hemiksem, then called Hemessen or Heymissen. Following studies in Italy, in 1524 he settled in Antwerp. A mannerist, his images focused on human failings such as greed and vanity. Like his daughter, Catarina van Hemessen,he specialised in painted portraits. Jan Sanders van Hemessen was a Flemish Northern Renaissance painter who was part of the mannerist movement. He was born in Hemessen in the Netherlands but settled in Antwerp in 1524 after studying in Italy. Hemessen specialized in scenes of human character flaws such as vanity and greed. His pictures are often religious, while his style helped found the Flemish traditions of genre painting. Hemessen was also a portrait painter, which influenced his daughter to become a Flemish Northern Renaissance painter as well. The Surgeon of 1555 is an oil painting by Jan Sanders Van Hemessen currently in the Museo del Prado in Madrid, Spain. The scene likely represents a stonecutter at a fair. The surgeon, who is clearly happy that his operations have been successful, painstakingly moves his knife towards the stone, which is already visible. Behind him hang stones which have been successfully cut out of the head of other patients as a sign of his skill. Next to the quack stands a man who is wringing his hands in desperation, clearly going to be the next patient under the scalpel.

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